"CHINA TOWN"
"China Town" is an artwork portraying an empty hallway with Chinese architectural elements. Inspired by the concept of the Backrooms, the vacant space evokes a sense of lifelessness. The dominant green tones enhance the feeling of alienation, reinforcing the eerie and otherworldly atmosphere.
"GRANDMA'S HOME"
"Grandma’s Home" depicts an empty room that feels instantly familiar—like the kind of space we imagine in our grandmother’s house. It’s a quiet, nostalgic piece, meant to capture that feeling of warmth and comfort we associate with childhood visits. Even in its stillness, the room holds a presence, a reminder of the love and memories that linger long after we’ve grown.
"PAINTER IN MAKING"
"Painter in the Making" represents the journey of a painter, capturing the essence of what the early stages of that path feel like.
The empty space, along with a painting and a plant, holds significant meaning. The plant symbolizes the painter’s creativity, resilience, and the most important figure in his life—someone who has supported and inspired him. The painting itself represents his life, a reflection of his devotion and passion for art.
"NO BATH & BLOOD BATH"
"No Bath" and "Blood Bath" are a pair of artworks inspired by Y2K grunge aesthetics, characterized by their gritty textures and distorted perspectives. Both pieces make creative use of a fisheye lens effect to exaggerate the warped, chaotic energy of the scenes.
Set in a poorly maintained bathroom, the environments are intentionally grimy and unsettling. In "Blood Bath", blood stains are visible on the floor, enhancing the eerie, violent undertone of the space.
